Your questions answered by a  Hollywood professional


A bit of Hollywood humor 


Updated Nov 28, 2011



Screenwriting Help E-Mail (Nov 28, 2011)

Updated Monday, one selected e-mail will be posted and answered here each week. With many years of experience in the film and television business, I look forward to providing answers to your questions about screenwriting or the entertainment industry in general.  Please send your e-mailed questions to: Script Advisor.  You may also wish to visit our Screenwriting Help E-Mails - The Archives.

This week's question: 

I was betrayed, DcH.  I was all set to do a rewrite for a client.  He said that he wanted me to do the rewrite, asked me for a contract and everything.  DcH, I sent it and then got a message that he had changed his mind and was going to have another writer do his project.  I couldn't believe it!  Has that ever happened to you?  I really could use your advice on this one.

Gigette from Colorado


This week's Answer: 

Anti-betrayal Antidote

I appreciate your e-mail, Gigette.  I have definitely been involved in similar circumstances and, through that School of Hard Knocks, I have discovered a very important way to wade through "betrayal waters," (which are next to the School of Hard Knocks, which is close to the Ocean of Back Stabbers, which is near the Forest of -- I guess those are enough map markers), a way to make certain that I'm never betrayed ever again.  And here it is in all its glory:

To Avoid Being Betrayed, Never Expect Anything.

I really mean that.  It's not an exactly easy task to accomplish, but it will do wonders for that creative, wonderful, enthusiastic part of you that dies a little each time an expectation is dashed to bits when the result you were focused on doesn't come about.  Instead of having to go to the School of Hard Knocks, wouldn't it be more efficient and easier to attend the School of Get Everything Because You Expect Nothing?  (Tuition is free; you don't even have to apply; just come on in.)

I know, in this business, there are many people who take or try to take advantage of screenwriters, but there is a way to never be taken advantage of again or for the first time.  It's simple, but, again, it's not always easy to carry out.  Here's the key:

Nobody Can Take Advantage of You if You Need Nothing From Him.

Simple, but very powerful when it comes to holding your own in this business.

Now, I'm not saying that it's easy to not want something from someone like a producer who can give you a whole bunch of money for your script and or open many doors for you as a screenwriter.  Or from a caterer who can get you a second piece of chocolate cheese cake on location or in a soundstage, where a director and some actors are butchering your masterpiece.  It's definitely okay to want that.  But, as soon as you need that, you've lost your power.  Because you've lost your self-pride.  And, if you lose that, you've lost everything.  Well... maybe not exactly everything.

You'll still have that cheesecake. 

 

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