Dear, dear, dear Linda, I do empathize with you. Obviously, you've chosen
to be an artiste with integrity and depth. Good for you. I applaud
you. Envision yourself in a grand arena, if you will (spoken like Rod
Serling), you in the center of it, thousands upon thousands of admirers in the
stands cheering wildly for you. A fanfare plays. It's your favorite
song rendered with trumpets. You know the words by heart: "The
best things in life are free, but you can keep them for the birds and
bees. I want money. That's what I want..." The emperor in his
royal seat is well pleased.
You are well pleased.
Everything is right with the world. You bow graciously to the crowd.
A door in the arena slides open, releasing a large lion, which, before you can
even utter, "What the--?!" pounces on you and devours you whole in one
swallow. As you head down the lion's gullet, you can still hear the
muffled cheers of the crowd. Your last seconds are filled with you
pondering on how all may be
not so right with the world. The lion
sprints back through the tunnel it emerged from. The door closes on
it. We read the designation on the door: "Hollywood."
Now that I've indulged myself with my Salvador Dali-esque version of a Roman
Empire film, let me just say that it seems you have chosen not be a Hollywood
Hack, not that there's anything wrong with being a Hollywood Hack.
Hollywood Hacks make a fine living. Many of them gave up being artists a
long time ago. They live in their Hollywood Hack Hills Homes, drive their
expensive Hollywood Hack cars to Hollywood Hack parties and Hollywood Hack
restaurants. Their conversations are peppered with words like
"options," "development deal," and "six
figures." These are the Chosen Ones (they've chosen this life,
themselves). I'm not saying that these Chosen Ones Hollywood Hacks have
sold out. I'd never say that. Only they would be able to
answer that question. That idea may not even enter their minds. They
may have left their consciences at the base of the Hollywood Hill before they
started their climb towards the "Hollywood" sign. Many of them
are not conflicted and are not experiencing an internal, waging war
between art and commerce deep in their souls, the only battle they undergo being
that of making the difficult decision about whether they should get a red or
silver BMW. Let's not slight them for this; that's not an easy decision.
These sorts are just trying to make it in their own way; there's no reason to
slight them. The Hollywood Machine needs these cogs because without them,
its mechanism wouldn't be able run smoothly and churn out the Product. But
let's talk about you, Linda (and anybody else who relates to your
situation). If you have chosen to not be an HH and truly want your
screenwriting to stand for something (other than a huge paycheck), then more
power to you. So, I say to you, as it is voiced so clearly in that classic
"Amityville Horror," regarding the business of screenwriting in
Hollywood...
GET OUT!!!
Not really. But, according to your opening statement,
you're going to have to make an adjustment to be able to continue your
screenwriting career with some poise, if not complete serenity (and don't worry;
complete serenity is overrated. How would you be able to honk at slow or
discourteous drivers and shoot scathing looks at cell-phone users who care only
about themselves and COULDN'T CARE LESS ABOUT OTHER
DRIVERS AND OTHER CELL-PHONE USERS OR NON CELL-PHONE USEERS WHO ARE JUST TRYING TO MAKE A LIVING AND GET
BY IN THIS WORLD IN WHICH WE... ? Sorry. Now, where was
I? Oh, yes. Something about making an adjustment. Well, it
seems that what you've fallen into, Linda and others who are in her ballpark, is
the dreaded and never comfortable area of comparing yourself to others.
You know that axiom, "Don't compare your insides with somebody else's
outsides"? That's a simple way to remember this important
concept. And, after all, it's not a good idea to do that, anyway. I
mean... think of it: Your insides: lungs, heart, kidneys, all those
organs and others, being compared to somebody's outside: his or her
flowing hair, tanned, tight abs, and gleaming teeth (sounds like a Hollywood
Hack to me) That's definitely apples and oranges. Or lungs, heart,
kidneys, and flowing hair, tanned, tight... Well, you get the
picture.
That kind of thinking is not going to help. So what if
some screenwriter has sold twelve screenplays, eleven options, ten treatments
(and a partridge in a pear tree)? If you think about it, that
screenwriter's success has nothing to do with your lack of success. I
mean... that screenwriter's success has nothing to do with your success.
That's what I mean. So what if you haven't sold anything yet? If
you're writing from the heart then you have to be prepared to sell from the
heart (whatever that means. Although, it does have a kind of ring to
it.) You have to be able to carry through what you started. It may
take time for a producer with heart to find your script with heart that you're
selling from the heart. (Whew!) So take heart. (Sorry; just
had to say it.) You're not an assembly line writer. Be proud of
it. Cherish that you are an artiste (always put an "e" after
"artist" when you refer to yourself and you're feeling low and you
can't pay your rent. Just tell your landlord that you are an
artiste. He or she will regard you with much more esteem when he or she
writes and you receive the eviction notice that begins with "Dear
Artiste,
GET OUT!!!
So, essentially, if you're going to be able to live in your own
screenwriters' skin, you're going to have to find a way to stay on your path
without being sidetracked by others' apparent successes. Yuck!
Screenwriters' skin. It sounds like a bad, "B" horror
flick! Hey, maybe you could punch it out in three days and sell it
to a cheesy producer who could give you four hundred thou for it so you could
finally buy that BMW you've had your eye on.
But don't start thinking that life is suddenly going to become a
cake walk just because you've made your first sale. You still have tough
decisions to make that lie ahead.
Is it going to be red or silver?
DcH